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01-2010

PARIS-BERLIN-THE FRENCH-GERMAN NEWS MAGAZINE, Berlin (Germany). Article by Stéphanie PICHON about Shel(l)ter, series of four pieces for ensemble and electronics.

ULTRASCHALL FESTIVAL, Berlin (Germany). CLARA MAÏDA’s PORTRAIT-CONCERT. L’ITINERAIRE ensemble. Direction: Jean DEROYER. Première of Shel(l)ter, series of four pieces for ensemble and electronics. Technical processing: Sébastien NAVES and Franck ROSSI.

02-2010

SAINT-GERMAIN AUDITORIUM, Paris. CLARA MAÏDA’s PORTRAIT. L’ITINERAIRE ensemble. Direction: Jean DEROYER. French première of Shel(l)ter - seither... ( ) ...Splitter and Shel(l)ter - hinter... ( ) ...Eiter for eleven amplified instruments, and of Doppelklänger for prepared and amplified piano. New performance of Repeats, defeats for four instruments.

DEUTSCHLANDRADIO KULTUR, Berlin. Broadcasting of Shel(l)ter, series of four pieces for ensemble and electronics (concert on January 30th, ULTRASCHALL festival, Berlin).

DAAD and EDITIONS RZ, Berlin. Coming out of the monographic CD in corpore vili (also sold by the French label METAMKINE).

05-2010

UNIVERSITÄT DER KÜNSTE, Berlin. General presentation of the research lines.

MUSIKAKADEMIE RHEINSBERG, Germany. German première of Kinê-Diffr(a)ct for seven amplified instruments, Al Aknawakht for percussion solo, Gitter für Gitarre for amplified guitar solo (WORK IN PROGRESS - BERLIN ensemble), and new performance of Doppelklänger for prepared and amplified piano (Heather O’Donnell, piano).

04-2009

ARS MUSICA FESTIVAL, Brussels (Belgium). Thierry MIROGLIO. New performance of Al Aknawakht for percussion solo.

WEIMARER FRÜHJAHRSTAGE FÜR ZEITGENÖSSISCHE MUSIK, Weimar (Germany). ARDITTI STRING QUARTET. New performance of ...who holds the strings... for string quartet.

05-2009

GMEM FESTIVAL LES MUSIQUES, Marseille. PERCUSSIONS DE STRASBOURG and NOUVEL ENSEMBLE MODERNE. Direction: Lorraine VAILLANCOURT. Première of Shel(l)ter - später... ( ) ...Winter for six instruments and electronics. FRENCH MINISTRY OF CULTURE and GMEM commission.

RADIO GRENOUILLE, Marseille. Broadcasting: Presentation of Clara Maïda's music. The presentation can be listened on internet (on the podcast: Playlist Clara Maïda).

06-2009

ELECTROVISIONES FESTIVAL 2009, Mexico City (Mexico). Selection of Ipso facto for electronics solo (new performance of the piece at the FONOTECA NACIONAL, Mexico City).

RADIOGRAFIAS SONORAS, 2009 (Mexico). Permanent broadcasting of a sound sample from Ipso facto for electronics solo on podOmatic’s podcast and on MODISTI’s website (as part of the concert at the FONOTECA NAIONAL in Mexico City on June 26th, 2009).

07-2009

MARIO MAZZOLI SOUND ART GALLERY, Berlin. General presentation of the research lines and the project Shel(l)ter for eleven instruments and electronics (première in 2010 with L'ITINERAIRE ensemble).

MARIO MAZZOLI SOUND ART GALLERY, Berlin. Exhibition of Fluctuatio (in)animi's score, for five instruments and electronics, and broadcasting of sound samples, as part of a collective exhibition of composers and sound artists.

09-2009

HESSISCHER RUNDFUNK/HR, Francfurt. Interview with the musicologist and journalist Susanne Laurentius, as part of a broadcasting about the Berliner Künstlerprogramm (DAAD).

ART FORUM BERLIN, Berlin. Exhibition of Fluctuatio (in)animi ‘s score and broadcasting of sound samples, as part of a collective exhibition of composers and sound artists, presented by MARIO MAZZOLI SOUND ART GALLERY, Berlin.

10-2009

TECHNISCHE UNIVERSITÄT, Berlin. Presentation of Ipso facto for electronics solo by Folkmar HEIN (former director of the ELECTRONIC STUDIO of the TECNHISCHE UNIVERSITÄT) as part of a concert in the INSTITUT VOOR SONOLOGIE (The Hague Royal Conservatory), Netherlands.

INSTITUT VOOR SONOLOGIE (The Hague Royal Conservatory), Netherlands. New performance of Ipso facto for electronics solo ad part of the Berlin TECHNISCHE UNIVERSITÄT concert.

11-2009

PARIS INTERNATIONAL GUITAR FESTIVAL (Cortot Concert Hall). Caroline DELUME. Première of Gitter für Gitarre, for amplified guitar solo.

AUDITORIUM SAINT-GERMAIN, Paris. Thierry MIROGLIO. New performance of Al Aknawakht for percussion solo.

02-2008

UNIVERSITY OF RENNES (Musicology department). General presentation of the research lines and intervention on the topic « Music and noise ».

INSTITUT FRANCAIS, Bremen (Germany). ALTERNANCE ensemble. New performance of Holes and bones for four instruments.

04-2008

CEFEDEM OF AQUITAINE, Bordeaux. General presentation of the research lines and Kinê-Diffr(a)ct for seven amplified instruments.

OPUS 8.2 DAY. TOUT NOUVEAU THEATRE (T. N. T.), Bordeaux. PROXIMA CENTAURI ensemble. Première of Kinê-Diffr(a)ct for seven amplified instruments. FRENCH MINISTRY OF CULTURE and PROXIMA CENTAURI ensemble commission.

07-2008

INVENTIONEN FESTIVAL, Berlin. Heather O’DONNELL. Première of Doppelklänger for prepared and amplified piano. DAAD of Berlin commission.

INVENTIONEN FESTIVAL, Berlin. DAAD COMPOSER’S PORTRAIT. General presentation of the research lines. Moderation: Christine FISHER (artistic director of NEUE VOCALSOLISTEN ensemble, Stuttgart).

09-2008

MÚSICA VIVA FESTIVAL, Lisbon (Portugal). New performance of Ipso facto for electronics solo.

KLANG! FESTIVAL, Hamburg (Germany). RESONANZ ensemble. Direction : Stefan GEIGER. Première of Mutatis mutandis for twelve amplified strings. SACEM commission (KLANG! festival, NETZWERK NEUE MUSIK, KULTURSTIFTUNG DES BUNDES, Hamburg).

KLANG! FESTIVAL, Hamburg (Germany). Presentation of Mutatis mutandis for twelve amplified strings. Moderation: Margarete ZANDER (artistic co-director of ULTRASCHALL festival, Berlin).

10-2008

BERLIN-RHEINSBERGER KOMPOSITIONSPREIS 2008.

EARPLAY 2008 (DONALD AIRD MEMORIAL COMPOSERS COMPETITION), San Francisco (USA). The piece Holes and bones for four instruments received an Honorable Mention.

11-2008

EMUFEST 2008 (International Festival of Electroacoustic Music), Rome (Italy). Selection of Ipso facto for electronics solo.

MUSICA NOVA 2008, Prague (Czech Republic). Finalist for Ipso facto for electronics solo.

05-2007

FRENCH MAY FESTIVAL (Hong Kong Academy for Performing Arts), Hong Kong. Thierry MIROGLIO. Première of Al Aknawakht for percussion solo.

06-2007

CROISEMENTS FESTIVAL, Shangaï. Thierry MIROGLIO. New performance of Al Aknawakht for percussion solo.

AUDITORIUM OF LYON, Les Chantiers de la création. Musicians of the LYON NATIONAL ORCHESTRA and children of La Fontaine school of Lyon. Première of Bowling bowls for four instruments and fifty children (bowls and voice). LYON NATIONAL ORCHESTRA commission.

07-2007

After getting the DAAD grant (Berlin), she is currently an artist-in-residence in Berlin until August 2008 for the realization of her project Shel(l)ter for eleven instruments and electronics, with L’ITINERAIRE ensemble.

ELEAZAR DE CARVALHO FESTIVAL (University of Fortaleza), Brazil. Thierry MIROGLIO. New performance of Al Aknawakht for percussion solo.

08-2007

ELECTRONIC STUDIO of the TECHNISCHE UNIVERSITÄT (TU), Berlin. Residency for the composition of Ipso facto for electronics solo (2nd part of the series of pieces for instruments and electronics Psyché-Cité/Transversales).

09-2007

PRIX ARS ELECTRONICA, Linz (Austria). Ceremony of the awards.
The piece Fluctuatio (in)animi for five instruments and electronics received an Honorary Mention (May 2007).

FÜNF + 1 EVENINGS. KLEINER WASSERSPEICHER of Prenzlauer Berg, Berlin. Première of Ipso facto for electronics solo.

10-2007

DEUSTCHLANDRADIO KULTUR, Berlin. "Berlin für ein Jahr". Interview with the musicologist Christine ANDERSON.

FILIGRANES JOURNAL n°6, "Music and unconscious". Coming out of the article ...ça écrit ça écrit ça écrit ça...

MUSIKHØST FESTIVAL, Odense (Denmark). ALTERNANCE ensemble. New performance of Holes and bones for four instruments.

SWISS RADIO DRS 2, Basel. "Musik unserer Zeit. Clara Maïda". Interview with the musicologist Bettina BRAND.

11-2007

BEYOND THE WALL DAYS, AKADEMIE DER KÜNSTE, Berlin. PELLEGRINI QUARTETT. New performance of ...who holds the strings... for string quartet.

12-2007

INSTITUTO CERVANTES, Paris. ALTERNANCE ensemble. New performance of Holes and bones for four instruments and Le livre des trous for piano solo.